The Paradox of Our Age & a Beatbox

The Paradox of Our Age and a Beatbox

By Jacqueline Cioffa


I’m not going to spin the crooked ways the world disgusts me, fueled by greed, and selfie look-at-me affliction. I’m not going to ask why the hell we’re celebrating, glorifying, mystifying, ridiculing, opinionating, posturizing, and Glam-O-Rizing Reality TV wannabe Celebrity with million dollar ‘99 problems but the bitch ain’t one’ bad behavior? I’m not going to rant and rave graphic, go on and on and on and on and on about fabricated circus ponies, farce bullshit, false niceties, lies and innuendo. Bad, bad PoliticO’s.

Rappin’ box beats…

Nope, nah, forget it man.

This bullshit, twisted, wake-up-people rant ain’t about greed, ain’t about you, ain’t about me.

Shit, Player, I’m a foul-mouthed-fool checking myself, too.

I’m gonna spin this prophetic, profound, and wax poetic

To a true, old school melodic moment of gangsta’ rap radio wave silence.



We have bigger houses but smaller families;
more conveniences, but less time.
We have more degrees but less sense;
more knowledge but less judgment;
more experts, but more problems;
more medicines but less healthiness.
We’ve been all the way to the moon and back,
but have trouble in crossing the street to meet our new neighbor.
We built more computers to hold more copies than ever,
but have less real communication;
We have become long on quantity,
but short on quality.
These are times of fast foods but slow digestion;
Tall men but short characters;
Steep profits but shallow relationships.
It’s a time when there is much in the window but nothing in the room. —The 14th Dalai Lama









THE BOOK: RAW & UNFILTERED Vol 1 by Feminine Collective

To find like-minded women, (and men) who encourage, support and uplift by sharing the most difficult conversations with no judgement or shame is a rarity and a gift. Writing my column “Bleeding Ink” with Feminine Collective, and being applauded for telling my deepest, dark and not always pretty truths has been an honor and privilege. 

Feminine Collective, and founders, Julie Anderson and Marla Carlton are making magic and changing the literary landscape with real, raw and brave humanistic essays and poems. – Jacqueline Cioffa

“I myself have never been able to find out precisely what feminism is: I only know that people call me a feminist whenever I express sentiments that differentiate me from a doormat.” ― Rebecca West, Young Rebecca: Writings, 1911-1917

I am thrilled to announce: RAW & UNFILTERED Vol 1: Selected Essays and Poems on Relationships with Self and Others.

Raw and Unfiltered



For Immediate Release

December 15, 2015

Los Angeles, CA – December 15, 2015: In their first bold venture into publishing, the masthead of Feminine Collective has pulled together an edgy, raw collection of essays and poems by women (and a few men) in Feminine Collective: RAW & UNFILTERED Vol 1: Selected Essays and Poems on Relationships with Self and Others. These unfiltered essays from the best of are touchpoints on popular culture, and span topics from self-awareness to bold revelations, from stories of empowerment to witty perspectives on working life and culture today.

RAW & UNFILTERED Vol 1 is the passion project of Feminine Collective founders, international supermodel Julie Anderson, and art director Marla J. Carlton, as a celebration of women’s achievements. The collection gives readers intimate insight into the brilliant minds of top emerging writers.

Agapi Stassinopoulos, author of Unbinding the Heart, said, “In the pages of this book you will hear your deeper voice and touch the raw places of yourself where angels fear to tread and as you read them watch out because you might you just might become fearless and unbound.”

Actor and musician John Stamos said this about Feminine Collective, “When I need to tap into my feminine side, I run to and now this book. It’s really smart.”

This astonishing book is divided into four sections, each highlighting both masculine and feminine perspectives that give us a glimpse into the often insane world of others. A collection of 44 writers in 376 pages—some published for the first time—converge to paint a portrait of the journey of the female mind in a dazzling spectrum that is an unrivaled compendium on raw, unfiltered voices including a poem by street artist Jules Muck. Famous for her green goddesses, as well as her green version of Gloria Steinem, Muck’s work has been featured in numerous exhibitions including the Bronx Museum of Art and can be seen on the book’s cover.

The foreword by Rachel Hunter, supermodel, actor and creator of DocuSeries Tour of Beauty describes Feminine Collective’s book as an experience “Where men and women can glimpse into the world of others … understanding the vulnerable, exquisite, powerful place of being a woman.”

Released December 11, 2015, Feminine Collective: RAW & Unfiltered: Vol 1 is available to purchase on For the launch of this book, Feminine Collective has partnered with Women’s Center of LA. Now through March 31, 2016, Feminine Collective will donate 50% of the net proceeds from the book sales to Women’s Center of Los Angeles (WCLA). WCLA is a community of dedicated women with the shared goal of guiding, educating and supporting women and girls to attain the knowledge, confidence and courage for a life of personal success. On January 28, 2016, Feminine Collective will host a book launch party and fundraiser for WCLA in Los Angeles, open to the press.

About Feminine Collective

Feminine Collective is a platform devoted to raw, unfiltered stories and poems of emerging writers. They focus on nonfiction stories of interpersonal relationships, published four to six times per week, including essays, poems, and short fiction. While they avoid breaking news, they have been known to publish opinion pieces on current events. The provocative voices on Feminine Collective are unlike any found in mainstream media today—storytellers who openly share raw accounts of abuse, emotional and mental health issues, parenting, love, and self-image that empower, elevate, enlighten, and entertain. Each writer expresses a vulnerability yet unseen that impacts the lives of Feminine Collective’s rapidly growing readership. Feminine Collective was launched in January 2014 by creator Julie Anderson and co-founder Marla J. Carlton. Julie Anderson has enjoyed a two-decade long career as a supermodel—where she has been the face of influential luxury brands and cover girl on international editions of Vogue, Elle and Harper’s Bazaar. Marla J. Carlton, a former international model, founded the award-winning Los Angeles based design firm, Specto Design in 2002, where she works as an art director and writer.

About Feminine Collective Foundation
Feminine Collective formed Feminine Collective Foundation in December 2015 with the sole mission to raise money to donate to charities that are dedicated to helping women and children in need, including victims of domestic violence, child abuse, drug abuse, rape, human trafficking, at-risk teens and women who suffer from mental health issues.

#Author Diaries ~ C. Streetlights, author of Tea and Madness


Author Diaries is pleased to welcome C. Streetlights, Gravity Imprint author of Tea and Madness.


C. Streetlights

After writing and illustrating her first bestseller in second grade, “The Lovely Unicorn”, C. Streetlights took twenty years to decide if she wanted to continue writing. In the time known as growing up she became a teacher, a wife, and mother. Retired from teaching, C. Streetlights now lives with her family in the mountains along with their dog that eats Kleenex. Her new memoir, Tea and Madness is now available.




12314696_10153493777754457_7757826515323767730_oWhat is your book’s genre/category? 


Please describe what the story/book is about.

Tea and Madness is a collection of poetry and prose written during a time when I experienced a great deal of emotional pain, loss, as well as growth. In approximately 3-5 years I experienced the loss of a baby, sexual assault, debilitating depression, betrayal from friends and coworkers, memories of a rape from college, and severe anxiety. This collection is my way of showing how I survived.



 Now for the juicy, fun part ~ discovering more about what makes you, the author tick.

Please pick 15 random questions from Proust’s Questionnaire and answer.


 What is your greatest fear?

Losing one of my kids. It is the worst panicky feeling when you turn around for a second and can’t find one of your kids. It’s the kind of panic that makes you want to vomit. I am absolutely terrified that I will lose them. My son was always very timid in public places, always stayed close to me. My daughter, on the other hand, is 100% free spirit and gives me the slip constantly. I feel like I need a sedative by the time we come home from wherever it is we went. It is a very hard balance to teach your children the proper dose of caution while out in public and not instill in them total paranoia – even if you yourself are feeling it. If I could strap my little girl to my leg when we go out, I’d do it more than likely.

What is the trait you most deplore in yourself?

I have the inability to celebrate myself and my accomplishments. While this might seem like a small trait to deplore in myself, I have seen how it has affected my life and so many of my choices. It is because of this that I never studied abroad when I was younger and why I never attempted to submit any writing to contests or scholarship opportunities. It is because of my silence that I never spoke up in my defense when nobody else would defend me either. It is because I thought so little of myself that I relied on the wrong people to fill up my spirit’s empty places with even emptier words to make me feel whole. What’s worse is that I still struggle with accepting well-deserved praised; I still feel itchy with compliments as if I’m wearing wool sweaters. I am working hard to be gracious and say “thank you” without qualifiers. It is harder than some might think.

What is the trait you most deplore in others?

Entitlement. I grew up in a home that many would consider this hypocritical of me. My father worked very hard so that my mother could stay home with the kids. We lived in an upper middle class neighborhood with equally nice homes. I went to schools that were predominantly white with classmates that were just as fortunate as I was socioeconomically. Most kids were given new cars when they turned 16. I didn’t know of anyone who went without when I was growing up. When I talk about how and where I grew up people want to shame me – that’s the stylish thing today, shame – because I while we weren’t affluent, we were part of the Orange County beach community. However, none of my friends grew up feeling entitled to anything. I certainly didn’t. All of my friends had jobs from the time they were 15 and saved money to pay for college, car insurance and gas money. If we wanted to do something we had to work for it. And while my parents worked hard so that I wouldn’t have to work for college, they still made sure I knew how to work. I had a work ethic that meant doing a job well, not taking money unless I earned it and not until I had earned it. I was taking care of my grandma (who had Alzheimer’s from the time I was 8 years old) every Saturday once I turned 12 years old, from noon until 5. The kids in my graduating class went to top tier universities because they earned scholarships their, not because of how much their parents donated. And so when people look down their noses at communities like where I grew up and assume we had it all given to us while at the same time complaining they aren’t given enough to compensate, I have to bite my tongue. None of us expected things to be given to us. That’s the difference. The expectation that benefits of some kind will just be handed over really bugs the hell outta me.

What do you consider the most overrated virtue?

This was very challenging so of course I had to answer it. I would have to say honesty is most overrated. Everyone claims they want honesty in a person but in reality they don’t. What they are really asking for is to not be hurt. Nobody really wants honesty, if they did then politicians would be much more likable, teenagers wouldn’t be afraid of those in authority, and there’d be no need for most of our laws. In all actuality, what people want is to be seen for who they are and for others to honor the truth that is inside them.

On what occasion do you lie?

I lie to protect others.

What do you most dislike about your appearance?

My “baby weight” turned into “toddler weight” and is now “preschooler weight”.

What is the quality you most like in a man?

I really enjoy men. What I mean is, I enjoy talking with men and being their friend. I tend to have more male friends than female friends. I don’t know why this is, and maybe it has to do with communication style more than anything, but I like men who are straightforward and to the point. And I like men who can handle that same trait in a woman. I find that when I make a new male friend who is incapable of understanding my straightforward nature, we are not good friends for long. Even when I tell men from the start that this is my nature it’s as if they don’t know how to respond to it. So I really appreciate it when I find a guy to talk with who is not a game player and is capable of accepting the same from me.

What is the quality you most like in a woman?

I like women who respect other women and their choices. Not all women will be the working mom, or the stay home moms, or even become moms – and all of that is okay. I despise “The Mommy Wars” and wonder how on earth we will ever close the wage gap when all we do is tear each other down? I love women who support each other, congratulate each other, and are willing to jump in and help when and where it is needed. We are not each other’s enemy, why are we criticizing each other constantly? Why are we so catty with one another? I am astonished by what women say about other women – whether it’s about looks, clothes, their children, their housework, their partners, everything! The best advice I was given was to surround myself with other women “who get it” and I have found that as I build my tribe of women who get it, I am feeling more empowered, more self-confident, and more encouraged than ever before. These are the kind of women I like.

Which words or phrases do you most overuse?

My Southern California comes out strong here, I overuse “like” for sure. Are you kidding me? Rad and stoked.

What or who is the greatest love of your life?

By far the greatest love of my life is my children. Everything changed for me the moment I held my son. He had a way of pursing his lips as a newborn and he looked up at me with his enormous eyes, his sweet lips pursed, and I just knew that my heart belonged to him forever. And it has been that way ever since. He and I both nearly died when he was born. He had fallen asleep in the birth canal and just decided that birth was not exciting anymore. The c-section had to be rushed because I had to be put under and so I didn’t get to hold him for several hours until after I had woken up from the anesthesia. Even now I can imagine the warmth of my baby boy lying next to me. Motherhood is terrific wonder. My baby girl was rushed to NICU soon after she was born. I thought my heart would erupt into pieces when I heard the Code Blue being called for her and there was nothing I could do. I didn’t get to hold her until three days afterwards when she was taken off the ventilator. My heart has been complete ever since. My kids are everything to me and they truly are my greatest loves.

If you could change one thing about yourself, what would it be?

I wish I enjoyed exercise and had the motivation to do it. Because I sure as hell don’t now!

What do you regard as the lowest depth of misery?

When I was on suicide watch this was, by far, the worst misery I have ever experienced. It was several days of terrible darkness and emptiness inside me, something I have never experienced before. I had no noise in my head, no thoughts or words, just a void. Nothingness. Days passed, one to the next, and I had no concept of time. Sometimes I slept but mostly I stared at my wall. All I wanted, more than anything, was to no longer exist. I truly believed that there was no purpose in my living any longer and my family would be better they didn’t have to deal with me anymore. I have never felt such numbing lack of emotion.

What is your most marked characteristic?

I have freckles on my nose that never go away and get darker in the summer. When people spend time with me or get to know me, they seem to always point out my freckles as if I don’t know they’re there.

What do you most value in your friends?

Love. I’ve been betrayed and hurt so deeply I need friends who will love me. With love comes loyalty, faith, and all the rest.

What is your motto?

You can’t dance with the devil and expect to lead.


What motivated you to write the book and what have you learned about yourself from the process?

Tea and Madness came about because I had no faith in myself, to be honest. I knew I wanted to have a collection of poetry and prose reflecting a time period when I when experienced enormous pain and struggle. I wanted to be real to the reader and that life is authentically messy. Everything is extraordinarily packaged for perfection out in the media and women in particular are sent toxic messages that their lives need to be perfect. Even their struggles need to be conducted in a socially acceptable way. I felt driven by the truth I learned for myself, that we are all incredibly messy with living messy lives and that chaos is what makes us human. I didn’t want my book to be one more voice adding to the “perfection programming”. I wanted it to be safe. I wanted Tea and Madness to tell people, “My house is a wreck and my laundry never gets done either, but I’m still a good person doing good things.”

Where can we find your book?

Tea and Madness by Gravity Imprint author C. Streetlights is available in both print and eBook on Amazon.


You can follow C. Streetlights on Twitter, Facebook, Instagram, Pinterest, and Goodreads.

Thank you, C. Streetlights for chatting and taking the Proust challenge. I wish you continued success with your writing and Zen life! 


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Jacqueline Cioffa was an international model for 17 years and celebrity makeup artist. She is a dog lover, crystal collector and Stone Crab enthusiast. Her work has been featured in the anthologies, Brainstorms, Feminine Collective’s Raw & Unfiltered Vol. 1, and numerous literary magazines. Living with manic depression, Jacqueline is an advocate for mental health awareness, and author of the poignant literary debut, The Vast Landscape, and soul-stirring sequel, Georgia Pine.

The essence continues because you do. Harrison leaves the door open a crack. I seize the opportunity to revisit my whole, healthy self a bit longer, live in the mystic beach home I adore, dream eyes open. Hope is our greatest asset. To choose hope against the worst possible odds is the true measure of life. ~ Georgia Pine by Jacqueline Cioffa

Look for her new column, “Bleeding Ink” with Feminine Collective.

 The Infamous Proust Questionnaire

In the 1880s, long before he claimed his status as one of the greatest authors of all time, teenage Marcel Proust (July 10, 1871–November 18, 1922) filled out an English-language questionnaire given to him by his friend Antoinette, the daughter of France’s then-president, as part of her “confession album” — a Victorian version of today’s popular personality tests, designed to reveal the answerer’s tastes, aspirations, and sensibility in a series of simple questions. Proust’s original manuscript, titled “by Marcel Proust himself,” wasn’t discovered until 1924, two years after his death. Decades later, the French television host Bernard Pivot, whose work inspired James Lipton’s Inside the Actor’s Studio, saw in the questionnaire an excellent lubricant for his interviews and began administering it to his guests in the 1970s and 1980s. In 1993, Vanity Fair resurrected the tradition and started publishing various public figures’ answers to the Proust Questionnaire on the last page of each issue.

Hands Off

*Trigger Warning*

Hands Off by Jacqueline Cioffa

I am not a patient person, no I am not. I bide my time, and busy myself with stuff. I should be writing, working, playing, struggling, worrying, and I am. I’m also waiting which is never good for an over active mind.

Yet here I am, hurtling forward going nowhere. Jumping ahead to anticipate the future. The past sneaks in, memories I cannot escape. They stick to me like a parasite drawing blood all around and everywhere I turn.

Can a five-year-old understand the meaning of true love?

I believed magic lived inside my daddy’s big, round, jovial belly instead of plain old spaghetti and meatballs. The sparkling lights on the Christmas tree, snowflakes stuck to the window, felt warm and fuzzy. Childlike wonder, tossing and turning the night excitedly awaiting the dawn and Santa. The yellow kick and go with the humongous red bow sat under the tree, brought raised electric hair of emotion. Spring couldn’t come fast enough, I’d be seven by then. A big girl, big enough to hit the streets. The alarm clock with the FM radio and ice cream cake at thirteen made me feel special. I believed that was L.O.V.E.

Seventeen came with an attitude, and a too expensive, fancy pink and white crepe silk al la ‘Dynasty’ dress complete with 80’s shoulder pads.

On to the first, real honest-to-God date. He was ‘hot-shit’ about town a decade older and he liked me. I had to beg, cry and cajole my parents to give in. They caved, eventually. High school was miserable. I left slivers of happy go star dust lucky  behind, the lights flickered and dimmed. When the date with the man-boy got too steamy, I was the scared little girl way out of her comfort zone. I panicked, jumped, slithered, smoothed out the bougie fuchsia floral wrinkles and called home. My daddy was there in minutes, at 2:00 a.m. to scoop me up. No questions asked. It was easy to leave another piece behind.

By twenty I was a smart mouth grownup living on my own. I met a guy who said all the right things, bought roses, sweet treats and diamond rings. He promised to take care of me. I shrugged my shoulders, and believed the hype.

Until he punched me in the ribs full fist, split my lip and blackened my eye. Yeah it was real easy to let go of love, for good. Again. And again.

To discard myself like some frivolous afterthought, no good soiled trash. To give away yet another piece of my damaged soul. To give in, to give up, to give way.

What did I do instead?

I married the tick infested nuisance, to silence the noise despising every single thing about him. Stupid girl, you can’t wiggle your way out of white orchid floral arrangements, church bells, and silk crepe clouded visions against the skin. Too late to turn back.

The only good, kind, sweet, solid, funny man who never judged me walked down the aisle squeezing my trembling hand in his steadied way and whispered, “I love you.”

I let go.

How? Why? When?

I simply let go of his hand. I let go of his hand shaking and unsteady. I let go of his hand and mine entwined, for all the wrong reasons.

I plain forgot. I shut down, shut off leaving a trail of stale rice dreams behind. Crummy crummy, unholy crumbs for the birds. I let go of love, and walked towards compromise. The capacity, belief and desire to give away the sparkly pixie dust parts died with each passing step.

Thirty came and went, the dizzying panicked blur of regret. Poof. Dissipated, time wasted, more and more wasted time. Eyes closed, heart closed, mind closed, brick walls crushing down heavy on my iron clad lung and cement filled suffocation.

Of course I made feeble, wobbly attempts to come and go.

Weak, strong, strong, weak, nauseating and top spinning heartbroken. Time clouded by shrouded veil, dense fog illusion, and stowed away dollhouse dreams. Denial, muddied, muddled, shredded eight foot faded ivory train-wreck and vows long forgotten.

Pummel my face as hard as you can, I don’t care. The wet, warm blood feels warm and soothing dribbling down my chin and tastes oh so sweet, so much better than numb nothing.

I am alive and bleeding crimson red.


I can no longer want, ask, believe nor care about little girl dreams. I must pull up my big girl boy shorts and act like a man. The five dollar frivolous, white horse prince saviors, and romantic cowboy brass buckles, burr boot straps dead and buried inside little house on the prairie garish fantasies.

Ride along, move along, mosey along this is my dime store fantasy flick. I have no idle minutes left for regret, I’m riding shotgun.

Who needs some hot-shot, horseshoe, horse-shit, five o’clock stubble smooth talker on a Harley to whisk you away? Take the keys, turn the ignition, and drive. Don’t look back, don’t look over you shoulder, don’t ask and don’t give yourself away. Keep self-esteem in check, and your holy womanhood held high. Little girls, do not give your heart away. Keep it, share it, love it, dance around and around in twirly girly pretty sparkly shimmery circles. Your heart is not a bargain basement sale, it’s gold glitter and swirls of magic. The key to your heart should be kept close and cherished inside your tiny, innocent, girlie hands and extended, graceful feminine forever curious fingers. The lines and maps etched on your palms are forever yours to reach further, hold tighter and aim higher. The hands, funny face little one are yours to reach for the heavens, feel the tickle from a blade of grass, and massage away the rough, coarse granite experiences and, to understand.

To love with your fingers outstretched and wipe the tears from your eyes.

Your fragile, pretty girl pink hands were never meant to cover your face and hide, in shame.

There is something else, something better, something bigger, something precious.
There is something tangible to hold onto when you close your eyes and dare to dream.
There is something mysterious pulsating inside, that never lies.

Do not ever forget how safe the world felt holding the right, kind gentleman’s hand. And do not ever let go of the love.

Don’t forget to love the hands attached to the arms and a direct line to your heart. Love comes in many beguiling and bewitching forms, unloved is something different, something not whole.

Sometimes love is a jovial round belly filled with spaghetti and meatballs. Others, it’s quieting, stoic, stubborn, and unwavering. A mother’s illogical love that does not give up on you, and your trembling hands. Maybe, it lives inside the gasp of an unexpected hiccup or giggle, or the perfect timing of a handwritten note from a friend in the post with three simple words imbibed, thinking of you.

Sometimes, it’s finding your way home.

Sometimes it’s finding your way back home.

And sometimes it’s finding your own way back home.

To love.

That five-year old was wise.

She understood she held the key in her hands, never too tight and always close to her heart.

“To love oneself is the beginning of a life-long romance” – Oscar Wilde

Drowning Above Water


Turbulent waters soothe the gypsy, calming and evoking blue myth mystery. The maudlin, tumultuous sea, her wishing wells of fragile glass trinkets, forgotten treasure, and pools of sunken love, long discarded. The ocean and her black ink mystery whisper in tongue, tales only I can decipher. The beach house perched precariously on a bluff, is blurred and out of focus. Drifting farther and farther from reach, I am flailing and kicking. I scream sea bubbles trying desperately not to be pulled under. My weary eyes close, muscles go limp, as I surrender to the serene beauty. I am weightless. Drowning, I am finally free to listen to the sounds of quiet. Chimes dance and sway in the wind, calling me home. I know this place; I have been here before. She beckons. I am not unready, the flesh is not willing. I know I cannot stay here in the darkest, sublime solitude corners of the mind. With sea legs unsteady, I kick hard, resolute. I must embrace the riptides of imagination inside the forbidden, profound Mariana Trench depths of the mind I cannot fully comprehend. The sea is bound blue, white and grey urchin green, hauntingly transparent, and overly persistent.

I must stay, here, for now. The spirit is willing, but the flesh is weak.

Drowning above water.



White Wings and Things #StolenMoments #Poetry

From time to time you’ll see Stolen Moments show up on the blog. Words forgotten and misplaced, poetry, anticipatory memories, prose, joy and sorrow, pensive emotion, random and not so random thoughts scribbled in tattered notebooks. To not forget but remember the precious, fleeting stolen moments in time. I’m a writer trying recapture on paper how it feels to be alive.

White Wings and Things 

Happy Birthday to Me

March 2005

She has you now

In this lifetime

But she holds tight with fear

Her gut feeling freedom is your favorite word

I am not worried or sad

For you or me

Because I’ll most certainly know you beyond the ether

In the next and the next and the next cushions of white comfort love

The void in time and space

We imagine far up up and away

The secret elusive illusion

With sure and absolute devotion

We have lived this fleeting glance before

Without question

There are no walls to break

No bars to stand behind

Open your eyes

So you may extend your arms wide

And open your heart with wings

White wings made of cotton clouds

Allow yourself a glimpse of the most precious kind of love

And read Kahlil Gibran

For he dreams far better than I






Liquid Angst ~ Jacqueline Cioffa #StolenMoments #Poetry

From time to time you’ll see Stolen Moments show up on the blog. Words forgotten and misplaced, poetry, anticipatory memories, prose, joy and sorrow, pensive emotion, random and not so random thoughts scribbled in tattered notebooks. To not forget but remember the precious, fleeting stolen moments in time. I’m a writer trying recapture on paper how it feels to be alive.


Liquid Angst By Jacqueline Cioffa

Jan. 2005

You are the one


My forever Miami man

My moon, my sun, my tsunami

Amongst devastating destruction you are the storm in my soul

My liquid angst

But at least I love you

To know that I really love you

Quietly with a certain steadfastness

20 years full and counting

That’s really something

…hold up, that ain’t right

the year is 2015 

the time is now

…and I’m tired of waiting

I’m not holding out for a hero

a waterlogged wilted jilted lover

I’m becoming and becoming

my very own heroine

whole and content under a crystal clear lit up funky blue midnight sky


starstuff dreams bursting inside

Purple Felt Tip Pens and Mystic Winds #StolenMoments

Stolen Moments-2

From time to time you’ll see Stolen Moments show up on the blog. Words forgotten and misplaced, poetry, anticipatory memories, prose, joy and sorrow, pensive emotion, random and not so random thoughts scribbled in tattered notebooks. To not forget but remember the precious, fleeting stolen moments in time. I’m a writer trying recapture on paper how it feels to be alive.


Purple Felt Tip Pens and Mystic Winds

Jacqueline Cioffa 1998

It’s downtime in Miami

Purple felt tip pens

And winds whistling like a lover

Whispering magic

And calm

The smell of salt air

Filling the breeze almost licking my skin

Oh how I love the night here

To wake up to the sun

A new day

An almost always perfect cerulean sky

Ending with the darling starry filled night

November is the most beautiful time of year

White Boots and Freckle Faces #StolenMoments #TuesdayShares #Poetry


From time to time you’ll see Stolen Moments show up on the blog. Words forgotten and misplaced, poetry, anticipatory memories, prose, joy and sorrow, pensive emotion, random and not so random thoughts scribbled in tattered notebooks. To not forget but remember the precious, fleeting stolen moments in time. I’m a writer trying recapture on paper how it feels to be alive.


White Boots and Freckled Faces

Jacqueline Cioffa 1998

Where is the child?

Where has she gone?

Did she get bruised and beaten down?

Oh she’s there

Over there

There she is

Dancing and laughing

And spinning

Wide open

She still believes in a better place

And a better time

And sees the good in mankind

Muddled behind the murky water

And she cries a real tear

One teardrop

For all that is gone

And counts

And she gets it

And sometimes she wants to die

So swollen with emotion

Not afraid to cry

Not afraid to be touched

She doesn’t cringe at the thought of physical intimacy

And she’s full of trust

And she’s let go of the void

She’s the voyeur

The mighty, the strong

She’s her mother and father and brothers

All rolled into this neat package

That’s the best of all of them.